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Gavrinis is popularly believed to be derived from the Breton words gavr (goat) and enez (island).  It contains the Gavrinis tomb, a megalith comparable to others in Breton, Ireland and Orkney

Notable for its abundance of megalithic art from the European neolithic age. A small island in the Gulf of Morbihan in south Brittany, France exists

The main tomb was built around 4200-4000 BC, making it one of the worlds oldest surviving buildings

In 1835, when the broken down, and hidden entryway to the internal chamber was discovered. First excavations took place

Archaeologists who specialize in restoration. Took machinery and lab equipment in a long way to analyze data.

A famous megalithic grave was discovered.  That was compared to others around the same time period

At the time of its construction, 3500 BC, the island was still connected with the mainland.

Gavrinis island became famous for its megalithic monument and the neolithic period.

Similarly, in Breton. Megaliths of Carnac and Locmariaquer were compared

And, some of the stone carving styles, stacking and architecture, are closely connected with the monuments of Brú na Boínne (Ireland); and Maes Howe (Orkney)

The rich internal decorations make Gavrinis a treasure of European megalithic and neolithic art

There are symbols, non-abstract objects, such as axes and croziers or staffs.  Also horn like motifs that may symbolize cattle; shape stylised human figures, known as’ the shield’. Also lots of zigzag lines, lozenges and snake like lines

Because it was sealed off, They are also in good preservation.

History of research
The first excavations took place in 1835, when the internal chamber was discovered.

The cairn
The stone mound has a diameter of about 50m. The mass of stones forming the cairn is internally structured by a series of walls, subdividing it into separate “ranks”. It is characteristic of Neolithic dry stone architecture.

The chamber
Between 4500 and 3000BC, these dolmen-type chambers, reached by passages, were common. Located at the centre of this particular mound and measuring about 2.5m across. A single rectangular (nearly square) slab is built as a burial chamber. It is about 50 large stone slabs. The biggest of these, a ceiling slab is nearly 17 tons (34,000lbs).

The entrance to the grave monuments had a carving that is often been interpreted as an axe (Twohig 1981), but it could be of greater importance. In 2000, another famous scientist (Whittle), claimed it may represent a whale, or “mythic animal”

During this period. Constructed in Normandy and Poitou (France); Ireland; Britain; and  Iberian Peninsula. Similar monuments were built.

Modern day replica or museum
The chamber is reached from outside by a 14m-long corridor or passage. Of the 29 orthostat slabs that form the sides of the passage, 23 are decorated with carved symbols and patterns.

Reuse of stones; and, complicated drawings
Like an artist that may screw up on a drawing, or is unhappy with the way it looks. In 1984, scientists discovered the external side of some slabs, were also decorated, but in a different style from their internal faces. These decorations must have been applied before the cairn was erected. It is unknown if these hidden slab drawings may have had a secret meaning, or just kept to the more modern tradition of upcycling.

Notably a top ceiling slab bore the depiction of a bull, and the horns of a further animal.

Wherever these slabs originated from. It can be joined with the ceiling stones of two other monuments. The Table des Marchands dolmen; and the Er Vinglé tomb, in Locmariaquer. About 4 km away.

These three joining slabs were not small. Whoever moved them had great strength. At 14 meters in length. They appears to have once formed a massive standing stone. Though now its decoration has been deliberately obscured.

Replication available for viewing
The replications of the decorated stone art slabs can be re-visited in the museum at the megalithic necropolis of Bougon (Deux-Sèvres). Be sure to check it out!

Bibliography: Charles-Tanguy Le Roux, “Gavrinis et les îles du Morbihan”, Guides archéologiques de la France, Paris, Ministère de la Culture, 1985.

Twohig, E.S., 1981. The Megalithic Art of Western Europe, Oxford: Clarendon

Whittle, Alisdair, “Very Like a Whale: Menhirs,Motifs and Myths in the Mesolithic-Neolithic Transition of Northwest Europe”, Cambridge Archaeological Journal, 10, 2000, pp 243–259.